By Matthew Blank
11 Feb 2014
A native of Michigan, Silber graduated from The Royal Conservatoire of Scotland shortly before making her West End debut as Laura Fairlie in Andrew Lloyd Webber’s The Woman in White. She would go on to play Hodel in The Sheffield Crucible’s 2007 production of Fiddler on the Roof, and its subsequent West End transfer, and portrayed Julie Jordan in Carousel at The Savoy Theatre in London.
Silber made her American acting debut again playing the role of Julie Jordan for Reprise Theatre Company in Los Angeles. She joined Tony Award winner Tyne Daly in Terrence McNally’s Master Class at The Kennedy Center and its subsequent Broadway transfer.
Other work includes The Young Wife in the Transport Group’s revival of Hello Again, Jenny Cavilerri in the North American premiere of Love Story the Musical at Walnut Street Theatre and Amalia Balash in She Loves Me at Caramoor Center for Music and the Arts.
|Name:||Alexandra Michelle Silber|
|Where you were born/where you were raised:||Born in Los Angeles. Raised outside Detroit, Michigan.|
Incidentally, I share a big Broadway birthday with Audra McDonald, Betty Buckley, Teresa McCarthy and Patrick Wilson. Something must be in the water 9 months before July 3.
|What your parents did/do for a living:||My father was an attorney and my mother a visual artist.|
|Special skills:||LOOK. Now I don’t wanna
brag but… I write amazing lyrics to television-theme-songs-that-don’t-have-
lyrics. "Alias," "Bones," "Lost," "Murder She Wrote," "Poirot"...|
And, did any of you catch all the hullabaloo with Richard Schiff and me last year with "The West Wing Song?" I think someone out there even started a Twitter handle for @TheWestWingSong. Epic.
|Something you're REALLY bad at:||Tap. I can’t even fake it from the waist up.|
|First Broadway show you ever saw:||
The original cast of Ragtime. The company, the production, the
experience itself were all of course beyond articulation. But it was more than
that: It was a momentous, emotional trip for my family, one of the best
memories of my life. |
It was Broadway Cares/Equity Fights AIDS week, and members of the cast were holding buckets and selling merchandise in the lobby. I’ll never forget that my mother purchased me a poster signed by the company from Judy Kaye, who spoke to all of us for a little while. My father— somewhere between sheepishly and proudly— told her that I wanted to be an actress and singer. She looked me in the eyes for a lingering moment then said, “…You will.”
Last April, I made my Carnegie Hall debut with the legend that is Judy Kaye, and I’m happy to say that we’ve become colleagues as well as friends, and eventually I shared that memory with her.
Stories like that. That is what theatre is all about.
|If you could go back in time and catch any Broadway show, what would it be?||
- The original 1938 production of Our Town|
- Tyne Daly in Gypsy
- Uta Hagen’s famous first performance on Broadway of Streetcar (when she stepped in from the touring company for Jessica Tandy), where she went on with Marlon Brando with only five minutes of rehearsal before the curtain went up... yeah.
Fire up that DeLorean!
|Current show other than your own you have been recommending to friends:||Rachel Bay Jones’ performance in Pippin|
|Favorite showtune(s) of all time:||
Let me begin by saying that I have a very specific definition of what a
"show-tune" IS, and believe you me: Anything does NOT "Go." A true Broadway
showtune is more than merely a tune from a show—it must have pep,
tunefulness, and vigor—it rallies those musical theatre troops in a singularly
sensational, glittery fireball of razzle dazzle reminding you that it is time
to start livin’. That there is no business like show business.|
A Show-tune is you and your family singing in the car.
Can we all agree "Epiphany" from Sweeney Todd is not a sing-along in the car sort of number? For this reason: “Sunday,” “One Hand One Heart” and “Will He Like Me?” are not on the Show Tune list, and “Morning Glow,” “Camelot,” “It’s Today,” “There is Nothing Like a Dame,” and “The Lees of Old Virginia” ARE.
Now. LOOK. I don’t regularly have musical theater on my iPod. But whether or not I am rocking out to Mary Martin and her comrades, or have abandoned them for the likes of Johnny Cash, ONE SONG ALWAYS REMAINS. And that song, my friends, is...
"Run, Freedom, Run!"
I was shy about this when I shared a dressing "area" with Hunter Foster last year (doing Inner Voices), because I didn't know how to tell him how for two years the song was my alarm, or how often that tune had “got me going” in the morning, or how many times it had turned a bad day around.
This faux-revivalist-spiritual (complete with a cappella choir, tambourine, monumental modulations and Hunter quite possibly literally singing his face off) has its tongue so deep within its cheek, it has Ran-Freedom-Ran halfway to the Arctic...
|Some favorite modern musicals:||American Idiot destroyed me.|
|Some favorite classic musicals:||
Classic musicals are my thang so this is tough. [*thinkthinkthink*]|
She Loves Me, Fiddler on the Roof, Hello Dolly!, Carousel, 1776 and Show Boat.
|Broadway or screen stars of the past you would most have loved to perform with:||Mary Martin|
|Your personal performance idols, living or dead:||
I admire many people, including:|
⁃ Danny Kaye
But I save the term idol for only one woman, and that is Dame Angela Lansbury.
|The one performance – attended - that you will never forget:||
WARNING: I’m offering this answer in numerical points to prevent you from
having a stroke whilst reading.|
1. In Seventh grade.
|MAC or PC?||MAC|
|Most played song on your iPod:||“Heaven When We’re Home” by The Wailin’ Jennys|
Get into it.
Anika Chapin (@AnikaChapin). She is one of the few tweeters that can make me
*actually* laugh out loud. Her thread is an uber-smart, super-witty, MENSA-
level, anthropologic braniac-splosion of pop culture and musical theater.|
Just follow her.
|Last book you read:||
I’m a voracious reader but the last book I finished was "The Trickster’s Hat"
by Nick Bantock. Nick Bantock is an author and visual artist (the author of
the Griffin & Sabine Trilogies), my lifelong artistic idol. |
This is his latest book, which is a mischievous and thrilling study of (and guide through) the alchemical art of creativity.
|Must-see TV show(s):||This lady loves herself some crime drama… the real nitty-gritty vintage stuff. If it "looks like we gotta murder to solve"... I’m IN.|
|Some films you consider classics:||
"What About Bob?" and "The Court Jester"|
(Cult classics? Are they cult classics if I am the only one in the cult? Dunno.)
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