Playbill

February 13, 2012

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LINCOLN CENTER THEATER

LINCOLN CENTER THEATER , now celebrating its 25th year, is one of New York’s favorite not-for-profit theaters, with productions at Lincoln Center’s Vivian Beaumont and Mitzi E. Newhouse Theaters, and other theaters on and off Broadway, as well as touring productions nationally and around the world, TV and film projects and original cast recordings. In the Next Room is LCT’s 131st production.LCT’s production history includes a number of memorable New York, U.S. and world premieres, including The New Century by Paul Rudnick; Dying City by Christopher Shinn; The Coast of Utopia, The Invention of Love, Arcadia and Hapgood by Tom Stoppard; The Clean House by Sarah Ruhl; The Light in the Piazza by Craig Lucas and Adam Guettel; Bernarda Alba and Marie Christine by Michael John LaChiusa; Third, An American Daughter and The Sisters Rosensweig by Wendy Wasserstein; The Frogs by Burt Shevelove, Nathan Lane and Stephen Sondheim; A Bad Friend by Jules Feiffer; A Man of No Importance by Terrence McNally, Stephen Flaherty and Lynn Ahrens; Ten Unknowns by Jon Robin Baitz; Contact by Susan Stroman and John Weidman; Via Dolorosa by David Hare; Parade by Alfred Uhry, Jason Robert Brown and Harold Prince; A New Brain by William Finn and James Lapine; Six Degrees of Separation by John Guare; Speed-the-Plow by David Mamet; and Sarafina! by Mbongeni Ngema. LCT’s noteworthy revivals include August Wilson’s Joe Turner’s Come and Gone; Clifford Odets’ Awake and Sing!; Edward Albee’s Seascape and A Delicate Balance; Shakespeare’s Cymbeline, King Lear, Henry IV and Twelfth Night; Dinner at Eight by George S. Kaufman and Edna Ferber; Paul Osborn’s Morning’s at Seven; The Heiress by Ruth and Augustus Goetz; Rodgers & Hammerstein’s Carousel; Abe Lincoln in Illinois by Robert E. Sherwood; Our Town by Thornton Wilder; Waiting for Godot by Samuel Beckett; Anything Goes by Cole Porter; The Front Page by Ben Hecht and Charles MacArthur; and The House of Blue Leaves by John Guare.In addition to its full-scale productions, Lincoln Center Theater also develops new work and encourages emerging artists through play readings, workshops and an annual Directors Lab. Open Stages, LCT’s education program, reaches thousands of New York City public school students with curriculum-related projects, tickets to LCT productions and a Shakespeare collaboration with the Juilliard School. The Theater also regularly presents “platforms,” where the public can meet LCT artists, and publishes the Lincoln Center Theater Review, which explores subjects related to LCT’s productions.Last fall LCT began a new programming initiation – LCT3 – devoted to producing the work of emerging playwrights, directors and designers.



Previously seen in

Show

Theatre

Role

King Lear

Vivian Beaumont Theater

Producer

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